SCREEN PLAYS
Play of the Month
Heartbreak House (BBC, 1958, 1977)
The first television production of George Bernard Shaw’s Heartbreak House came during a golden decade for Shaw on the small screen. During the 1950s there were at least twenty-four full-length adaptations of his dramas for television, and that includes counting as just one the five-part Back to Methusaleh presented by the BBC in the early summer of 1952 (nothing of which was recorded). The only other occasion that British television has tackled the sprawling state-of-the-nation piece that is Heartbreak House was in 1977, when a Play of the Month presentation was something of a directing swansong for the long-serving producer of the strand, Cedric Messina. Continue reading
100 television stage plays: [8] 1982-1990
British television changed fundamentally with the arrival of Channel 4 on 2 November 1982. Independent production became for the first time a viable method of working with broadcasters – and the channel in these early years took seriously its statutory mandate ‘to encourage innovation and experiment in the form and content of programmes’. With ten productions from across the channels from the following eight years, this outline of one hundred significant television stage plays continues our first tentative map of the history of the form. Continue reading
100 television stage plays: [7] 1976-1981
Having split the BBC and ITV outputs in the previous four posts, here I am considering them together for the six years before the arrival of Channel 4. As before, this outline of one hundred significant television stage plays offers a first tentative map of the history of the form. Some of the productions no longer exist, and of the ones that are still in the archives, there are many that I have not (yet) seen. Continue reading
On DVD: ten plays from George Bernard Shaw
One of the few published groupings of BBC productions of stage plays is the eight-disc box set The Bernard Shaw Collection. The productions were made between 1972 and 1989, the last of them being Arms and the Man with Helena Bonham Carter and Dinsdale Landen. Over the next few weeks I intend to blog about each of the productions, but to begin with this post details the productions (with one or two critical comments) in the order in which Shaw wrote the originals. Continue reading
Small-screen Chekhov
According to Neil Taylor’s 1998 essay ‘A History of the Stage Play on BBC Television’, Chekhov was at that time the fifth most-staged playwright (after Shakespeare, Shaw, Ibsen and Priestley), but since then I can think of only a close-to-unwatchable theatre recording in the early days of BBC Four of Michael Blakemore’s production of Three Sisters, 2003, with Kristin Scott Thomas. Continue reading
