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Dylan Thomas’ Under Milk Wood (BBC, 1957)

Yesterday came welcome news of the publication of the online edition of the latest issue of Critical Studies in Television, a themed collection of essays titled ‘The Liveliest Medium’: Television’s Aesthetic Relationships with Other Arts which promises to enrich significantly current debates on television aesthetics. It contains three essays that explore the aesthetics of theatre plays on television: John Wyver’s ‘Serjeant Musgrave’s Dance and the Politics of Possibility in Two Television Adaptations’, Billy Smart’s ‘Three Different Cherry Orchards, Three Different Worlds: Chekhov at the BBC, 1962-81′ and my own ‘Dylan Thomas’ Under Milk Wood, “a Play for Voices” on Radio, Stage and Television’. In this blog post I share a taster of my essay, in the hope of directing readers to the volume as a whole. Continue reading

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‘Classics on TV: Great American Playwrights’, a BFI Southbank season

Screen Plays is thrilled to announce details of our fourth season of screenings at BFI Southbank in January 2015. Following on from our successful seasons of Greek plays, Jacobean tragedy and Edwardian plays, this season will highlight rarely seen television productions of theatre plays by major American playwrights. Among those whose works will be shown are Tennessee Williams, Eugene O’Neill, Arthur Miller and Clifford Odets, but the season also includes some more surprising choices as well. Continue reading

Emitron camera at Alexandra Palace